Santa Cruz Good Times

Wednesday
Feb 08th
Text size
  • Increase font size
  • Default font size
  • Decrease font size

Can Protests Win Hearts and Minds?

tom_honig_sProtesters didn’t exactly win over hearts and minds when they shut off Westside streets last week. When protesting UC Santa Cruz students cut off necessary access to campus, when they break car windows, when they intrude on others’ lives, they actually work against their goal.

Protests are a time-honored tradition, certainly an exercise in free speech. And since the ’60s, protesting has become the tool of activists everywhere – even by those tea party folks on the right.

But are protests effective?

Small protests really don’t work, because they actually are kind of cute. Watching a group of five or less padding about is easy to ignore. Really huge protests really don’t work, or at least they don’t once the collected rabble begins blocking streets, breaking windows and the like. I’ve never understood the strategy of trying to win people over by making their lives more difficult.

Imagine, for example, someone not wholly aware of what the protesters want. She’s driving along—maybe on her way to a doctor’s appointment—when suddenly her path is blocked. She can’t get where she’s going. Then her car window is busted. Hmmm. Don’t count on her for support.

Notice that I haven’t even gotten around to discussing the subject of the protest. Unfortunately, the situation here gets murky. Here’s where the UCSC students may have made their biggest tactical blunder. They’re protesting fee increases, which is certainly understandable. But the fee structure is more complex than they’re saying.

In an excellent analytical piece recently in the San Jose Mercury News, reporter Lisa Krieger explains that the fee structure actually helps the poorest students, and she also explains how UC students pay only about one-third the cost of their education.

I wouldn’t want to pay the additional fees myself, but the reality is that taxpayers are footing most of the bill. And for that they’re getting car windows smashed?

The UCSC protest was but one part of a general protest that had been called by educators statewide. Here’s where the strategy makes some sense. Protests generally work when the goal is to raise awareness of an issue. Certainly, funding cuts to education qualify as a big issue. It’s one of the tragedies of our time as our failing state government simply can’t cover the costs of education, at least as well as it has in the past.

Here again, however, there are some subtleties being lost. If the governor or the Legislature restored all the funding cuts to education – someone else would be hurt.  It wouldn’t hurt those in government. It would hurt others that are also in need. Sure, restore funding to education, but then where do you cut? Aid to the sick? Welfare recipients? Or do you throw criminals back on the streets?

What protests do best is arouse passions. There’s something intoxicating – at least for some people – about being taken up by a cause that’s bigger than themselves. Even those of us who believe in careful consideration of issues occasionally want to let loose and holler, “Let’s get the bastards!” After all, most of us feel like we’ve been screwed over by somebody, sometime, somewhere. A massive protest can be just the thing if you’re in need of empowerment.

However, measuring the success of a protest is more difficult. In this latest go-round, the antics of the UCSC student protesters will probably stick in people’s minds longer than the more important discussion about overall education funding.

The most successful UCSC protest in my memory happened more than 20 years ago, when students called on the university to divest its financial investments in South Africa during the apartheid era. What made that protest successful is that it was targeted directly at a group in power – the UC Board of Regents – who had the power to take action. Eventually, regents relented and the protesters carried the day.

This protest is far less targeted. It’s essentially about self-interest. It hasn’t won over the general public. The protesters may not be right. There’s a good argument against them – that a UC education remains a bargain, and is far cheaper than, say, an education at Stanford. In a brutal economic environment, raising fees on those who can afford it just might be the most equitable answer.

“I don’t want my parents to pay higher fees so I’m going to smash your car windows” isn’t exactly a rallying cry. Unfortunately, that’s what most people will remember.

No one argues with the right to protest. But when it’s over, the protesters themselves should ask: “Did we actually achieve anything?”

Comments (2)Add Comment
Lame
written by Nina K, March 13, 2010
Tom, How many women had a window smashed? One or hundreds? And that encompass the entire protest? One bad apple speaks for hundreds of others? How many people in the community can say that they knew what was going on on campuses? How many can say they know after a protest? I think your angle is a joke. You should come sit in on some of the classrooms on the first week of school when people are leaving in tears because classes are full and the teachers have to ask people to leave. They loose their scholarships, financial aide and insurances, just to name a few. until you see what's going on yourself you should think twice before writing some offensive article. Yea, there needs to be cuts some where else....blah blah blah...How about cutting the war? Educated people will be the economy for the future. For the future of California. Protest are not just for outlets. They get people to make a difference. They give people a voice. They get people involved. The next march is coming soon...in Sac. where the most impact can me made. And Arnold backed off some future education cuts that were up on the chopping block recently. Long and short, I thought your article was garbage. I think more people should stand up and protest. It's about time for people to using their power.
Misses the Significance of a New Movement
written by Joe Rigney, March 13, 2010
Mr Honig's myopic focus on the unfortunate property damage during the March 4 Day of Resistance (he mentions it five times) causes him to miss the historic significance of what is occurring across our state.

Demonstrations in Berkeley, Oakland, San Francisco, Concord, Vallejo, Santa Cruz, Aptos, Watsonville, Monterey, Davis, Sacramento, Stockton, Fresno, Los Angeles, and numerous other locations across California and the U.S. were taken because of the loss of state support for public education.

Parents pulled their children out of classes and marched. High School students walked out of classes. Educators and staff walked off the job. Students shut down UC Santa Cruz, Interstate 880 in Oakland, tried to block I-80 in Davis, staged a sit-in in Fresno, and occupied a building at UCLA.

While Mr. Honig makes some mention of the broader coalition that is organizing to resist the further degradation of public education, he states that the student involvement is "... essentially about self-interest. It hasn’t won over the general public." In fact, what makes the demonstrations so important is that students and workers united with the "general public" in political protest.

The significance of the March 4 day of Resistance is that people across the state are organizing to stop the collapse of government services. This is not about "self-interest," this is about an equitable distribution of wealth that provides equal opportunity and quality of life for all Californians.

In contrast to Mr. Honig, I would suggest that the students at UC Santa Cruz have achieved something incredible. They are an organizing force within a movement that has the potential to transform politics within California.

Write comment
smaller | bigger

busy
 

Share this on your social networks

Bookmark and Share

More Good Times

 

Heart Surgery For UC

Regents spare classes—for now—and drain staff healthcare surpluses instead Gov. Jerry Brown announced a $100 million mid-year cut to the 10-campus University of California system in December, just as UC Santa Cruz staff and students left for winter break. UCSC's share of the cut is $6.5 million, but no classes will be affected through the end of the current school year.

 

Hometown Glory

Chris Rene welcomed back to Santa Cruz with open arms at ‘Love Life’ event On Sunday, Jan. 29, 2012—a day that Mayor Don Lane announced would officially be referred to as Chris Rene Day in Santa Cruz—the local hero took the stage of the sold-out Civic Auditorium to celebrate his homecoming and give something back to the drug and alcohol rehabilitation center that made his recent success possible. The rapper/songwriter and Santa Cruz native is coming off a year that saw him finish in the top three on the first season of FOX’s The X Factor, and enthusiasm for his return was evident in the line of fans that stretched around the block of the auditorium, hours before its doors opened. Many fans carried signs and wore homemade T-shirts featuring words of solidarity for the artist, including his catch phrase, “Love Life.”

 

Meter Moratorium Continues

Board of Supervisors votes to continue opposition of SmartMeter installations Late last year, the already loud local outcry over SmartMeters rang out even louder, as some residents took matters into their own hands and removed meters from their homes. The action led to Pacific Gas & Electric (PG&E) shutting off several of these residents’ power. Following a flood of public concern at its Dec. 13 meeting, the County Board of Supervisors directed the county’s public health officer, Poki Stewart Namkung, to return on Jan. 24 with an analysis of one month’s research on the health effects of the wireless meters.

 

Miss Lonely Hearts

“I feel like modern country—it’s just a f*cking mess. No doubt,” says Wyatt Hesemeyer, lead vocalist and rhythm guitarist for Miss Lonely Hearts. “A lot of people that are trying to play ... ’50s country do it by making it as over the top as they can,” he adds, “they’re yodeling and wearing oversized cowboy hats, they try to make it cute, but it wasn’t supposed to be cute. It was supposed to heartfelt or interesting or funny.” Hesemeyer, whose warm, raw vocals intoxicate the listener like a glass of Bulleit Rye Whiskey—his favorite brand—has a characteristic bluntness that imbues his music with honesty instead of camp. Backed by a full band—Patrick O’Connor (drums), Keith Cary (lap steel), Mischa Gasch (upright bass), and Parker McDonald (lead guitar)—Miss Lonely Hearts cranks out pure country with a splash of  shufflin’ 1950s rock and roll. And according to Hesemeyer, their unadulterated sound has a big draw.

 

Dead Men Rocking

Weekend after weekend, the salty air of Beach Street fills with the screams of Boardwalk patrons on mechanical thrill rides. Folks from all walks of life turn up in droves, sometimes waiting in line for more than an hour for that exhilarating jolt of fear—the same rush that draws people to horror movies, skydiving, morbid rock concerts and Ouija boards. For some, it’s a type of reanimation ritual: a way of shocking back to life feelings that have been deadened by years of clock-punching, TV-watching and zombie-marching in a culture empty of spirit, where the motels, drive-ins, strip clubs and burger shacks loom like tombstones above the buried bones of massacred masses, and the pulse of the planet fights to be heard, “Tell-Tale Heart”-style, through smothering layers of concrete, asphalt and smog.  

 

Film, Times & Events: Week of Feb 9

Santa Cruz area movie theaters >

 

Pushing the Envelope

‘What Is Erotic?’ makes its seventh run at The 418 ll through history, artists have been pushing us to examine our views of what is and isn’t erotic, with subjects ranging from the relatively tame (Francisco Goya’s “La Maja Desnuda”) to the extremely challenging (Mapplethorpe’s photography, Rod Stewart’s “Da Ya Think I’m Sexy?”). Santa Cruz keeps this tradition alive via “What Is Erotic?”a festive and daring fundraiser for The 418 Project. Themed “In the Boudoir,” this year’s event—the seventh overall—hits The 418 on the weekends before and after Valentine’s Day. The fun, bawdy character of “What Is Erotic?” will be evident right from the Pre-Show Erotic Salon: Staying in character, the actors will playfully interact with audience members. Moondance O’Brien, one of this year’s performers, reveals that the show’s cast and crew refers to the members of this “welcoming committee” as “fluffers.” “Some people might be feather ticklers; some people might be reciting poetry; some people might be offering spankings,” she explains. Other performers will hand-feed chocolate-dipped strawberries to audience members. All such interaction is consent-oriented, but O’Brien ventures that “the majority of people who come to this show have a sense of what they’re going to experience. They’re pretty eager.”

 

Inside Occupy Santa Cruz

Public nuisance or radical experiment in direct democracy? The mood at Occupy Santa Cruz (OSC) General Assembly meetings was angry and defiant early last month, especially after protesters heard eyewitness accounts of the violence in Oakland and Berkeley. But the atmosphere became noticeably calmer and less defensive after the City of Santa Cruz’s injunction to shut down OSC was appealed to federal court on Nov. 15. The decision by U.S. District Judge Howard R. Lloyd whether or not to hear the case, and the arguments relating to federal jurisdiction, principally the First Amendment, is scheduled for Jan. 3, 2012 in San Jose. The appeal delayed a State Superior Court hearing scheduled for Nov. 16 in the Santa Cruz County Court House, which seem to cool down the militant rhetoric of preparing for an eminent, forcible eviction of the Occupiers of San Lorenzo Park. The appeal to federal court of what Santa Cruz City Attorney John Barisone described as a “routine public nuisance suit” has also gained the web-based attention of Occupy movements across the country. It is a big question, after all: Does the First Amendment’s protection of freedom of speech and freedom of assembly include OSC?   

 

Steven Graves

Steven Graves has started to dream in songs. The 48-year-old Capitola resident heard the lyrics to his latest in the gray space between waking and sleep. “I wrote the whole song in about 20 minutes, got up, laid down the guitar parts—I’ve never been able to do that before,” he laughs. A dream is a fitting metaphor for Graves’ career. A former land use consultant, he left the field in 2010 to pursue his passion for music.

 

Wedding Edition

Simmons’ Wedding Tips
Sign up for our weekly events newsletter
you can unsubscribe any time.
  • Login
    Login with registered email or username + password
  • Create an account
    Registration
    *
    *
    *
    *
    *
    REGISTER_REQUIRED
  • Search Good Times

  • Search
  • More Good Times

     

    Lighted Boat Parade 2011

    Photo slideshow.  Judging cetegories: Sailing, Power, People Powered, Commercial/Sponsored Vessels, Best of Theme and Best Music. Enchanted Harbor at Santa Cruz Dec. 3, 2011 Sponsored by the Santa Cruz Harbor Yacht Club. . . . . . . ..

     

    Losing Baggage

    Pam Houston’s genre-breaking book takes readers on adventures far and deep within You could say it was prescient that Pam Houston began writing her latest book on an airplane. But then, the award-winning short-story writer and novelist often writes on airplanes—and when she started writing these vignettes she had no idea they’d morph into a novel. “I was invited to an evening called ‘Unveiled’ at the Wisconsin Book Festival in Madison, where a group of us was going to read new, untested work,” said Houston. “I took the assignment so literally that I wrote the first 12 chapters on the plane and in the hotel the night before. After I read, Richard Bausch said, ‘Write 100 of them, and that’s your next book.’”

     

    An Offer We Can’t Refuse

    Adam Theis’ army of musicians, Jazz Mafia All-Stars, marches to Kuumbwa Adam Theis is a musical whirlwind. As the kingpin of the Jazz Mafia, a San Francisco-based collective of jazz musicians that routinely backs up everyone from Carlos Santana to Thomas Dolby to legendary rapper Lyrics Born, Theis is at the center of the cyclone. Factor in his symphonic work with his hand-picked orchestra, and you can understand why in 2009, Theis was awarded the sought- after Gerbode-Hewlett Foundation Emerging Composers Grant—which brought his vision of an army of musicians working together one step closer to fruition.

     

    Hamadi Organics

    Hamadi Organic’s tagline, “Tested on Actresses, Never on Animals,” says two important things about the hair care line off the bat: one, it’s ethical and, two, it’s good enough for the stars. Indeed, the likes of Scarlett Johansson, James Franco and Eva Mendes rely on Hamadi creator Jamal Hammadi to tame and style their tresses with his eco-friendly concoctions. (And, yes, the creator's name has two m's and the company's name only has one.)

     

    What is your idea of a romantic date in Santa Cruz?

     

    Burgers Your Way

     

    Loma Prieta Winery

    Last week I wrote about a red blend for Valentine’s Day, but as the year’s most romantic day approaches and you’re still looking for something downright voluptuous, then Loma Prieta’s Petit Sirah fits the bill.

     

    Karaoke in Santa Cruz

    Let your star shine with karaoke in Santa Cruz Boardwalk BowlBocci’s CellarBritannia ArmsFog BankHenfling’s Tavern & GrillHindquarter Bar and GrillI Love SushiMalone’s GrilleMichael’s on MainSir Froggy’s PubTrout Farm Inn

     

    Beats with Brains

    Hip-hop collective Doomtree meditates on technology with ‘No Kings’ Indie rock fans would be forgiven if they mistook the tale of Twin Cities hip-hop collective Doomtree for that of folk strummer Bon Iver. After all, just as Justin Vernon did with For Emma, Forever Ago, the seven-member crew laid down all the demos for their forthcoming album, No Kings, while sequestered in a remote Wisconsin cabin—far away from the noise and lights of the city and out of cell phone reception. "We definitely wanted to isolate ourselves from distractions," says Margret Wander a.k.a. Dessa, a singer and emcee with the group.

     

    Behind the Break-up

    Authors Maira Kalman and Daniel Handler open up On a Bookshop Santa Cruz wall, notes are taped above a pile of books whose covers depict a luminous white coffee mug suspended against a red backdrop. “We broke up because I’m not a gorgeous Australian who lives in China. Accents, right?” reads one note. The words, “We broke up because...” are printed on pages of a notepad near the shop’s display, prompting book shop visitors to share their break up stories. The notes correspond directly with the title of the books piled below: “Why We Broke Up,” by Daniel Handler (a.k.a. popular children’s author Lemony Snicket).

    RSS Feed Burner

     Subscribe in a reader