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Feb 10th
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From the Editor

greg_archerS2sPlus Letters to Good Times
Middle-East Meltdown?
Talk More
The District’s Disconnect
Club much? Sometimes, it’s a good thing, and if you’ve moseyed to any of the local nightclubs in Santa Cruz County over the years, you more than likely have been greeted by a powerful presence—a bouncer. This week, writer J.D. Ramey takes readers behind the scenes and uncovers, well, let’s say the more embraceable side of some of our area’s favorite greeters and, at times, protectors. These guys are an enigmatic bunch.

Meanwhile, Cabrillo Stage delivers a powerful show with “Cabaret.” The summer production titillates but also provokes thought. It’s one of the best productions of the year. Read a review of the show. Then, there’s Shakespeare Santa Cruz, which also strikes a memorable chord with “The Lion in Winter.” Learn how it measures up in Lisa Jensen’s review. Not to be left out of a packed summer season, is the reputable and downright innovative Cabrillo Festival of Contemporary Music. J.D. Ramey previews the fest, which launches this week, (See you there.)

In between all the fun and festivals, there’s also you and yours to pay attention to as well. And ... how is that going. During your summer travels, consider two books that captured my attention recently—couldn’t put them down. One is “Shift,” by Peter Arnell, which tackles branding, well, you. It’s a captivating read that steers you closer to understanding your inner workings and what, exactly, you’re putting out there into the world. (Never hurts to know that.) The other book is Geneen Roth’s “Woman, Food and God.” Don’t freak out, fellas—while the word “woman” is in the title, the book is actually universal in the way it talks about the motivations that lie beneath the surface of much of what we do. I also found it interesting how the author states she can tell more about a person’s relationship to themselves, with life—with “God”—through their relationship with food and the food they put on their plates. Deep. But think about that one as you move through the rest of your summer.

More next time ...
Greg Archer | Editor-in-Chief


Letters to Good Times Editor

Middle-East Meltdown?
The army forces Israel to compromise her security while in today's world, media  and society witness multitudes of rapid changes. Thus, to meet in my Good Times, the unchanging Gil Stein perspective of Israel can do no wrong: End of Subject is both laughable and lamentable.
Israel's future security and ours too (according to our own generals) demands a just resolution 'twixt Israelis and Palestinians. Therefore, all attempts at furthering education and clarification such  as the planned Rev. Grishaw-Jones and Rabbi Marcus trip should not be derided, but rather welcomed and encouraged.
Joyce McLean
Los Gatos

Talk More
In your Local Talk section (GT 7/15), ‘man on the street’ Luke Harris laments that we have not made the American idea of freedom “real.” I agree that we as a nation have yet to achieve genuine freedom. In short, I am compelled to pay taxes for a system of beliefs that undermines my own convictions. For example, as a public school teacher, I see more and more students “embarrassed” about their belief in God.  Why are they embarrassed?  You see, “science” has disproved the Bible. We now “know” that, contrary to “silly superstition,” the universe was created by a gigantic explosion in space (i.e. the big bang theory). 
Lofty professors in their tax-supported positions of power preach and hail the spectacular creative force of expanding matter. Yet, explode a mountain, explode a planet, or explode all the matter in the universe and you will never create great kids like mine, nor a beautiful sunset, nor lilies in a valley.  They were made by God. To use the name of science to rob God of the credit He deserves for creating the universe is the lowest of the low. I protest. 
Ken Schleimer
Scotts Valley

The District’s Disconnect
Regarding Tom Honig’s column, as a recently relocated Washingtonian here in Santa Cruz, I was compelled by your take on the District's disconnect. Some say that Washington is a lot like Hollywood, but without the beautiful people. I'm not one to make spurious blanket statements, but while living there, I met innumerable lobbyists, journalists and staffers who were perpetually star-struck and waiting for their big breaks. Most of them shared a serious—and perhaps unhealthy—thirst for power, too. I struggled to identify with such a senseless slog, and felt that it was definitely unique to a place like Washington, D.C.
That being said, the District—much like Santa Cruz—has charms in spades. I’ll surely miss the infinite festivals, the constant stream of theatrical, artistic, and musical talent, and, most of all, the museums and monuments.
I’m delighted you touched on this vital aspect of Washington, D.C. There’s nothing better inside the Beltway than the sense of civic pride that arises from Lincoln to the Capitol. District denizens would constantly bemoan tourists infiltrating “their” city and getting in the way during evening jogs and bike rides on the National Mall.
I never got it.
Washington is first and foremost the nation’s capital. Every American must stand in the shadow of the Washington Monument, soak up the sundry exhibits of the Smithsonian, bear witness to the silence at Arlington Cemetery. Washington, D.C. is America.
Sean Rameswaram
Santa Cruz
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Heart Surgery For UC

Regents spare classes—for now—and drain staff healthcare surpluses instead Gov. Jerry Brown announced a $100 million mid-year cut to the 10-campus University of California system in December, just as UC Santa Cruz staff and students left for winter break. UCSC's share of the cut is $6.5 million, but no classes will be affected through the end of the current school year.

 

Hometown Glory

Chris Rene welcomed back to Santa Cruz with open arms at ‘Love Life’ event On Sunday, Jan. 29, 2012—a day that Mayor Don Lane announced would officially be referred to as Chris Rene Day in Santa Cruz—the local hero took the stage of the sold-out Civic Auditorium to celebrate his homecoming and give something back to the drug and alcohol rehabilitation center that made his recent success possible. The rapper/songwriter and Santa Cruz native is coming off a year that saw him finish in the top three on the first season of FOX’s The X Factor, and enthusiasm for his return was evident in the line of fans that stretched around the block of the auditorium, hours before its doors opened. Many fans carried signs and wore homemade T-shirts featuring words of solidarity for the artist, including his catch phrase, “Love Life.”

 

Meter Moratorium Continues

Board of Supervisors votes to continue opposition of SmartMeter installations Late last year, the already loud local outcry over SmartMeters rang out even louder, as some residents took matters into their own hands and removed meters from their homes. The action led to Pacific Gas & Electric (PG&E) shutting off several of these residents’ power. Following a flood of public concern at its Dec. 13 meeting, the County Board of Supervisors directed the county’s public health officer, Poki Stewart Namkung, to return on Jan. 24 with an analysis of one month’s research on the health effects of the wireless meters.

 

Pushing the Envelope

‘What Is Erotic?’ makes its seventh run at The 418 ll through history, artists have been pushing us to examine our views of what is and isn’t erotic, with subjects ranging from the relatively tame (Francisco Goya’s “La Maja Desnuda”) to the extremely challenging (Mapplethorpe’s photography, Rod Stewart’s “Da Ya Think I’m Sexy?”). Santa Cruz keeps this tradition alive via “What Is Erotic?”a festive and daring fundraiser for The 418 Project. Themed “In the Boudoir,” this year’s event—the seventh overall—hits The 418 on the weekends before and after Valentine’s Day. The fun, bawdy character of “What Is Erotic?” will be evident right from the Pre-Show Erotic Salon: Staying in character, the actors will playfully interact with audience members. Moondance O’Brien, one of this year’s performers, reveals that the show’s cast and crew refers to the members of this “welcoming committee” as “fluffers.” “Some people might be feather ticklers; some people might be reciting poetry; some people might be offering spankings,” she explains. Other performers will hand-feed chocolate-dipped strawberries to audience members. All such interaction is consent-oriented, but O’Brien ventures that “the majority of people who come to this show have a sense of what they’re going to experience. They’re pretty eager.”

 

Katie Ekin

It’s hard to believe that 20-year-old folk pop singer-songwriter Katie Ekin’s years in the music industry can be counted on a single hand. She picked up acoustic guitar five years ago, played her first show three years ago, and debuted her seven-track, self-titled EP in December 2010. Inspired by music of the ’50s and ’60s, Ekin—whose vocal range is naturally as melodious as a songbird (see track three, “Cuckoo”)—has a keen understanding of love, astutely arranged in the lyrics of her songs. “I love oldies … the fun, pop-feeling, sock hop,” confesses Ekin. Aside from Carole King and Lesley Gore, singer of “It’s My Party,” her influences include Elvis Presley, Ricky Nelson, The Beatles and The Beach Boys, whose music was regularly played by her father throughout her childhood. “My dad is just such a fun person, and every time I’d see him perform when I was little, he had the best stage presence,” remembers Ekin. “I gain confidence from being on stage and I relate that back to my dad.” It is onstage that Ekin feels most comfortable expressing herself. “My main thing has always been love,” she says. “In high school, I wouldn’t really tell people how I felt—I put it in a song.” Her vulnerability is especially evident in “Underneath the Christmas Tree,” a song in which she asks her crush, “Won’t you be my present, baby?” The feel-good track is so irresistible, with Ekin’s sweet and sultry voice, that Zooey Deschanel herself would be proud to own the copyrights. Head to The Abbey two days before Valentine’s Day to hear Ekin belt out several original love songs, while accompanying herself on ukulele and guitar. Given the holiday, Ekin is planning an upbeat set that is, in her own words, “not so heartbreaking—I’ll try to keep it on a happy theme.”  INFO: 8:30 p.m. Sunday, Feb. 12. The Abbey, 350 Mission St., Santa Cruz. No cover. 429-1058.

 

Metamorphosis

Bill Veltrop—social visionary, leading architect of organizational design and the revered local who believes the next big thing isn’t a ‘thing’ Every morning Bill Veltrop rises at 4 a.m. and enters into a meditation and conversation with the Universe. By mid-morning, he’s either working on a project or holding a workshop. It’s 10 a.m. now, but before Veltrop proceeds with our interview he clangs together two golden meditation chimes and the three people in the room with him breathe in unison. Slowly the resonance fades to silence. The group is invited to recap their thoughts, hopes and stresses in a ritual Veltrop calls “stringing the beads.”

 

Inside Occupy Santa Cruz

Public nuisance or radical experiment in direct democracy? The mood at Occupy Santa Cruz (OSC) General Assembly meetings was angry and defiant early last month, especially after protesters heard eyewitness accounts of the violence in Oakland and Berkeley. But the atmosphere became noticeably calmer and less defensive after the City of Santa Cruz’s injunction to shut down OSC was appealed to federal court on Nov. 15. The decision by U.S. District Judge Howard R. Lloyd whether or not to hear the case, and the arguments relating to federal jurisdiction, principally the First Amendment, is scheduled for Jan. 3, 2012 in San Jose. The appeal delayed a State Superior Court hearing scheduled for Nov. 16 in the Santa Cruz County Court House, which seem to cool down the militant rhetoric of preparing for an eminent, forcible eviction of the Occupiers of San Lorenzo Park. The appeal to federal court of what Santa Cruz City Attorney John Barisone described as a “routine public nuisance suit” has also gained the web-based attention of Occupy movements across the country. It is a big question, after all: Does the First Amendment’s protection of freedom of speech and freedom of assembly include OSC?   

 

Our World, Under Water?

New and improved Climate Action Plan gets community and city support, but still has some critics A bicycle-drawn rowboat glided down Pacific Avenue on Tuesday, Jan. 24, with a school of human jellyfish, anemones and a sea turtle dancing along behind. The aquatic parade, which snaked along the canals of Downtown Santa Cruz, was an “Underwater Tour” that depicted what the city may look like someday if the city does not take all possible actions to mitigate climate change and its impacts.  

 

There’s a Path From Me to You…

We begin the week on Thursday, with Venus joining Uranus in Aries. Venus represents money, resources and values. Uranus “creates the revolution” and needed new archetypes. And Aries initiates “all things new.” The energies are building for a showdown (breakdown) in March. The keynote at this time is preparation.

 

Miss Lonely Hearts

“I feel like modern country—it’s just a f*cking mess. No doubt,” says Wyatt Hesemeyer, lead vocalist and rhythm guitarist for Miss Lonely Hearts. “A lot of people that are trying to play ... ’50s country do it by making it as over the top as they can,” he adds, “they’re yodeling and wearing oversized cowboy hats, they try to make it cute, but it wasn’t supposed to be cute. It was supposed to heartfelt or interesting or funny.” Hesemeyer, whose warm, raw vocals intoxicate the listener like a glass of Bulleit Rye Whiskey—his favorite brand—has a characteristic bluntness that imbues his music with honesty instead of camp. Backed by a full band—Patrick O’Connor (drums), Keith Cary (lap steel), Mischa Gasch (upright bass), and Parker McDonald (lead guitar)—Miss Lonely Hearts cranks out pure country with a splash of  shufflin’ 1950s rock and roll. And according to Hesemeyer, their unadulterated sound has a big draw.
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    Lighted Boat Parade 2011

    Photo slideshow.  Judging cetegories: Sailing, Power, People Powered, Commercial/Sponsored Vessels, Best of Theme and Best Music. Enchanted Harbor at Santa Cruz Dec. 3, 2011 Sponsored by the Santa Cruz Harbor Yacht Club. . . . . . . ..

     

    Losing Baggage

    Pam Houston’s genre-breaking book takes readers on adventures far and deep within You could say it was prescient that Pam Houston began writing her latest book on an airplane. But then, the award-winning short-story writer and novelist often writes on airplanes—and when she started writing these vignettes she had no idea they’d morph into a novel. “I was invited to an evening called ‘Unveiled’ at the Wisconsin Book Festival in Madison, where a group of us was going to read new, untested work,” said Houston. “I took the assignment so literally that I wrote the first 12 chapters on the plane and in the hotel the night before. After I read, Richard Bausch said, ‘Write 100 of them, and that’s your next book.’”

     

    Hamadi Organics

    Hamadi Organic’s tagline, “Tested on Actresses, Never on Animals,” says two important things about the hair care line off the bat: one, it’s ethical and, two, it’s good enough for the stars. Indeed, the likes of Scarlett Johansson, James Franco and Eva Mendes rely on Hamadi creator Jamal Hammadi to tame and style their tresses with his eco-friendly concoctions. (And, yes, the creator's name has two m's and the company's name only has one.)

     

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    Loma Prieta Winery

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    Our Beloved Revolutionary Sweethearts

    Camper Van Beethoven returns to Santa Cruz for two intimate Crepe Place shows Long before the Simon Cowell era, the members of the alternative rock band Camper Van Beethoven were the Santa Cruz musicians who had “made it.” Adorning their lively, all-over-the-map sound with an endearing sense of wit, they wooed the populace with a charmingly nonsensical ditty called “Take the Skinheads Bowling” (after all, isn’t it the angriest people who need a little constructive fun?) and a cover of Status Quo’s “Pictures of Matchstick Men,” from their most commercially successful album, 1989’s Key Lime Pie. With CVB’s 30th anniversary coming up next year, the band is playing a short run of smaller gigs—including two shows at The Crepe Place on Saturday, Feb. 11—to get warmed up for the release of its forthcoming record. The group recently began mixing down this as-yet-untitled album, the first we’ve heard from CVB since 2004’s New Roman Times. According to guitarist Greg Lisher, the band tried out a new approach to writing this time: “Back in the day, [vocalist/guitarist] David [Lowery] would bring his songs to us at rehearsal, and we would write our respective parts. So it was always pretty democratic in that sense, but it was all based on what David was bringing to the table.” For the new album, the band simply got together and came up with ideas on the fly: “Someone would throw something out, someone else would respond and someone else would play off of that.”

     

    Karaoke in Santa Cruz

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    Behind the Break-up

    Authors Maira Kalman and Daniel Handler open up On a Bookshop Santa Cruz wall, notes are taped above a pile of books whose covers depict a luminous white coffee mug suspended against a red backdrop. “We broke up because I’m not a gorgeous Australian who lives in China. Accents, right?” reads one note. The words, “We broke up because...” are printed on pages of a notepad near the shop’s display, prompting book shop visitors to share their break up stories. The notes correspond directly with the title of the books piled below: “Why We Broke Up,” by Daniel Handler (a.k.a. popular children’s author Lemony Snicket).

     

    Soquel Vineyards

    Looking for a smooth and sexy number for Valentine’s Day? A hot little item that’s not going to empty your wallet? And I’m talking about wine here! We all need something sensuous for Valentine’s—and if you’re planning a home-cooked meal by candlelight, then you’re going to need an interesting wine to go with it. And here’s where Soquel Vineyards’ Trinity comes in.

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