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Feb 08th
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From the Editor

greg_archerS2sPlus Letters to Good Times...
Beyond 2012
Embracing ‘2012’
Wet Spots
You probably saw this coming: virtual music venues—it is the 21st century, after all—but what you may not have factored into the mix was how enterprising such a beast could be, especially when Santa Cruzans are behind the scenes creatively. That’s where Virtual Venues Network (VVN) comes in. Spearheaded by several locals, this concert-screenings business caters to a “closed-circuit network of clubs and college campuses” that participate in exclusive concert events. Think of it like Pay-Per-View with a twist. Now booming, VVN offers nightclubs, sports bars, colleges and theaters across the nation plenty of opportunities to unveil one-time virtual concerts from many prominent bands. Writer Damon Orion uncovers the unique journey the founders of VVN have taken, and what the future holds for the business model.

Elsewhere, ponder News this week, where our intrepid reporter reports on PG&E’s request for a $4.2 billion in increased revenues over the next three years. (That stings.) Learn more.

In the meantime, take note of our Community Assessment Project survey online. The information you provide will be vital in determining what needs can be met in the county in the next five years. Have at it.

Thanks for reading this week. More soon ...
Greg Archer | Editor-in-Chief


Letters to Good Times Editor
Wet Spots
I've been thinking about the desalination article GT recently published, and energy use in general, and I'm wondering why the county doesn't use its good credit to save water and make money.
If rainwater collection and greywater systems will save money, even a small amount each month, why not guarantee loans for homeowners to install them? And why not collect payments via water bills? The loan payments could be made equal to the amount the homeowner saves. And, if this will truly save money in the long run, the water charges could even be adjusted to make this work.
Such a program could be set up to make money for the county. And, with the ability to get a lien on the house, there is no risk. Everybody wins.
This same argument could be made for solar energy installations, geothermal heating and cooling, energy conservation upgrades, and real community-run cable TV (another potentially money-making public service -- where the county actually provides all the channels and broadband.)
Save money, save the planet, make money for the county, provide free broadband to everyone, get a warmer house, and get cable TV for cheap. We can do this.
Tony Duarte, Santa Cruz

Embracing ‘2012’
Thank you for the well written and researched article on 2012 by Damon Orion. It is nice to see that there are still a few investigative journalists around who can not only check their spelling and exhibit good grammar but write an excellent story as well.
Drew Lewis, Santa Cruz

Beyond 2012
I’m amused by all the fuss about the year 2012 and the GT article that discussed varying viewpoints. We seem super interested in the destruction of the world. Hello—there’s more important things to be thinking about. Besides, I’m all about “what you think, you create.” Are we really that soul-less that we’d actually want to create our own demise? Forget about it. Think about something really good today.
Jessica Reynolds, Capitola
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Heart Surgery For UC

Regents spare classes—for now—and drain staff healthcare surpluses instead Gov. Jerry Brown announced a $100 million mid-year cut to the 10-campus University of California system in December, just as UC Santa Cruz staff and students left for winter break. UCSC's share of the cut is $6.5 million, but no classes will be affected through the end of the current school year.

 

Hometown Glory

Chris Rene welcomed back to Santa Cruz with open arms at ‘Love Life’ event On Sunday, Jan. 29, 2012—a day that Mayor Don Lane announced would officially be referred to as Chris Rene Day in Santa Cruz—the local hero took the stage of the sold-out Civic Auditorium to celebrate his homecoming and give something back to the drug and alcohol rehabilitation center that made his recent success possible. The rapper/songwriter and Santa Cruz native is coming off a year that saw him finish in the top three on the first season of FOX’s The X Factor, and enthusiasm for his return was evident in the line of fans that stretched around the block of the auditorium, hours before its doors opened. Many fans carried signs and wore homemade T-shirts featuring words of solidarity for the artist, including his catch phrase, “Love Life.”

 

Meter Moratorium Continues

Board of Supervisors votes to continue opposition of SmartMeter installations Late last year, the already loud local outcry over SmartMeters rang out even louder, as some residents took matters into their own hands and removed meters from their homes. The action led to Pacific Gas & Electric (PG&E) shutting off several of these residents’ power. Following a flood of public concern at its Dec. 13 meeting, the County Board of Supervisors directed the county’s public health officer, Poki Stewart Namkung, to return on Jan. 24 with an analysis of one month’s research on the health effects of the wireless meters.

 

Miss Lonely Hearts

“I feel like modern country—it’s just a f*cking mess. No doubt,” says Wyatt Hesemeyer, lead vocalist and rhythm guitarist for Miss Lonely Hearts. “A lot of people that are trying to play ... ’50s country do it by making it as over the top as they can,” he adds, “they’re yodeling and wearing oversized cowboy hats, they try to make it cute, but it wasn’t supposed to be cute. It was supposed to heartfelt or interesting or funny.” Hesemeyer, whose warm, raw vocals intoxicate the listener like a glass of Bulleit Rye Whiskey—his favorite brand—has a characteristic bluntness that imbues his music with honesty instead of camp. Backed by a full band—Patrick O’Connor (drums), Keith Cary (lap steel), Mischa Gasch (upright bass), and Parker McDonald (lead guitar)—Miss Lonely Hearts cranks out pure country with a splash of  shufflin’ 1950s rock and roll. And according to Hesemeyer, their unadulterated sound has a big draw.

 

Dead Men Rocking

Weekend after weekend, the salty air of Beach Street fills with the screams of Boardwalk patrons on mechanical thrill rides. Folks from all walks of life turn up in droves, sometimes waiting in line for more than an hour for that exhilarating jolt of fear—the same rush that draws people to horror movies, skydiving, morbid rock concerts and Ouija boards. For some, it’s a type of reanimation ritual: a way of shocking back to life feelings that have been deadened by years of clock-punching, TV-watching and zombie-marching in a culture empty of spirit, where the motels, drive-ins, strip clubs and burger shacks loom like tombstones above the buried bones of massacred masses, and the pulse of the planet fights to be heard, “Tell-Tale Heart”-style, through smothering layers of concrete, asphalt and smog.  

 

Film, Times & Events: Week of Feb 9

Santa Cruz area movie theaters >

 

Pushing the Envelope

‘What Is Erotic?’ makes its seventh run at The 418 ll through history, artists have been pushing us to examine our views of what is and isn’t erotic, with subjects ranging from the relatively tame (Francisco Goya’s “La Maja Desnuda”) to the extremely challenging (Mapplethorpe’s photography, Rod Stewart’s “Da Ya Think I’m Sexy?”). Santa Cruz keeps this tradition alive via “What Is Erotic?”a festive and daring fundraiser for The 418 Project. Themed “In the Boudoir,” this year’s event—the seventh overall—hits The 418 on the weekends before and after Valentine’s Day. The fun, bawdy character of “What Is Erotic?” will be evident right from the Pre-Show Erotic Salon: Staying in character, the actors will playfully interact with audience members. Moondance O’Brien, one of this year’s performers, reveals that the show’s cast and crew refers to the members of this “welcoming committee” as “fluffers.” “Some people might be feather ticklers; some people might be reciting poetry; some people might be offering spankings,” she explains. Other performers will hand-feed chocolate-dipped strawberries to audience members. All such interaction is consent-oriented, but O’Brien ventures that “the majority of people who come to this show have a sense of what they’re going to experience. They’re pretty eager.”

 

Inside Occupy Santa Cruz

Public nuisance or radical experiment in direct democracy? The mood at Occupy Santa Cruz (OSC) General Assembly meetings was angry and defiant early last month, especially after protesters heard eyewitness accounts of the violence in Oakland and Berkeley. But the atmosphere became noticeably calmer and less defensive after the City of Santa Cruz’s injunction to shut down OSC was appealed to federal court on Nov. 15. The decision by U.S. District Judge Howard R. Lloyd whether or not to hear the case, and the arguments relating to federal jurisdiction, principally the First Amendment, is scheduled for Jan. 3, 2012 in San Jose. The appeal delayed a State Superior Court hearing scheduled for Nov. 16 in the Santa Cruz County Court House, which seem to cool down the militant rhetoric of preparing for an eminent, forcible eviction of the Occupiers of San Lorenzo Park. The appeal to federal court of what Santa Cruz City Attorney John Barisone described as a “routine public nuisance suit” has also gained the web-based attention of Occupy movements across the country. It is a big question, after all: Does the First Amendment’s protection of freedom of speech and freedom of assembly include OSC?   

 

Steven Graves

Steven Graves has started to dream in songs. The 48-year-old Capitola resident heard the lyrics to his latest in the gray space between waking and sleep. “I wrote the whole song in about 20 minutes, got up, laid down the guitar parts—I’ve never been able to do that before,” he laughs. A dream is a fitting metaphor for Graves’ career. A former land use consultant, he left the field in 2010 to pursue his passion for music.

 

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    Lighted Boat Parade 2011

    Photo slideshow.  Judging cetegories: Sailing, Power, People Powered, Commercial/Sponsored Vessels, Best of Theme and Best Music. Enchanted Harbor at Santa Cruz Dec. 3, 2011 Sponsored by the Santa Cruz Harbor Yacht Club. . . . . . . ..

     

    Losing Baggage

    Pam Houston’s genre-breaking book takes readers on adventures far and deep within You could say it was prescient that Pam Houston began writing her latest book on an airplane. But then, the award-winning short-story writer and novelist often writes on airplanes—and when she started writing these vignettes she had no idea they’d morph into a novel. “I was invited to an evening called ‘Unveiled’ at the Wisconsin Book Festival in Madison, where a group of us was going to read new, untested work,” said Houston. “I took the assignment so literally that I wrote the first 12 chapters on the plane and in the hotel the night before. After I read, Richard Bausch said, ‘Write 100 of them, and that’s your next book.’”

     

    An Offer We Can’t Refuse

    Adam Theis’ army of musicians, Jazz Mafia All-Stars, marches to Kuumbwa Adam Theis is a musical whirlwind. As the kingpin of the Jazz Mafia, a San Francisco-based collective of jazz musicians that routinely backs up everyone from Carlos Santana to Thomas Dolby to legendary rapper Lyrics Born, Theis is at the center of the cyclone. Factor in his symphonic work with his hand-picked orchestra, and you can understand why in 2009, Theis was awarded the sought- after Gerbode-Hewlett Foundation Emerging Composers Grant—which brought his vision of an army of musicians working together one step closer to fruition.

     

    Hamadi Organics

    Hamadi Organic’s tagline, “Tested on Actresses, Never on Animals,” says two important things about the hair care line off the bat: one, it’s ethical and, two, it’s good enough for the stars. Indeed, the likes of Scarlett Johansson, James Franco and Eva Mendes rely on Hamadi creator Jamal Hammadi to tame and style their tresses with his eco-friendly concoctions. (And, yes, the creator's name has two m's and the company's name only has one.)

     

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    Loma Prieta Winery

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    Karaoke in Santa Cruz

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    Beats with Brains

    Hip-hop collective Doomtree meditates on technology with ‘No Kings’ Indie rock fans would be forgiven if they mistook the tale of Twin Cities hip-hop collective Doomtree for that of folk strummer Bon Iver. After all, just as Justin Vernon did with For Emma, Forever Ago, the seven-member crew laid down all the demos for their forthcoming album, No Kings, while sequestered in a remote Wisconsin cabin—far away from the noise and lights of the city and out of cell phone reception. "We definitely wanted to isolate ourselves from distractions," says Margret Wander a.k.a. Dessa, a singer and emcee with the group.

     

    Behind the Break-up

    Authors Maira Kalman and Daniel Handler open up On a Bookshop Santa Cruz wall, notes are taped above a pile of books whose covers depict a luminous white coffee mug suspended against a red backdrop. “We broke up because I’m not a gorgeous Australian who lives in China. Accents, right?” reads one note. The words, “We broke up because...” are printed on pages of a notepad near the shop’s display, prompting book shop visitors to share their break up stories. The notes correspond directly with the title of the books piled below: “Why We Broke Up,” by Daniel Handler (a.k.a. popular children’s author Lemony Snicket).

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