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Movies & Film Events: Week of Mar. 11

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Films This Week
Check out the movies playing around town.
With reviews and trailers.

 

 

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NEW THIS WEEK

film_north_face_posterNORTH FACE Philipp Stolzl's gripping dramatization of a true story begins like one of those "inspirational" athletic movies about the indomitable human spirit, as fresh-faced youths test their mettle against a ferocious opponent—the notorious north face of the Eiger in the Swiss Alps. It's 1936, and the Nazi propaganda machine eagerly promotes a pair of young German climbers who want to be first to the summit. But as the incidents become more harrowing, the truly operatic scope of the drama is revealed. Stolzl's mountain-climbing sequences are among the most epic, astounding and grueling ever committed to film. The climb depicted is  matter of historical record but Stolzl makes their tale into a compelling study of the implacability of Nature in the face of such petty human notions as nationalism and glory. Not rated. 126 minutes. In German with English subtitles. (★★★1/2) Lisa Jensen. Starts Friday.
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film_our_family_weddingOUR FAMILY WEDDING America Ferrera and Lance Gross star as recent college grads who want to get married—if they can keep their competitive fathers (Forest Whitaker and Carlos Mencia) and other meddling family members on both sides from ruining their big day. Regina King, Diane-Maria Riva and Lupe Ontiveros co-star in this multi-cultural comedy from writer-director Rick Famuyiwa. (PG-13) 101 minutes. Starts Friday.
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film_remember_meREMEMBER ME Robert Pattinson de-fangs for this romantic urban drama about a young man estranged from his father (Pierce Brosnan), and at loose ends in New York City in the summer of 2001 until he meets a simpatico young woman (Emilie de Ravin). Chris Cooper and Lena Olin co-star for director Allen Coulter. (PG-13) 128 minutes. Starts Friday.
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film_shes_out_of_my_leagueSHE'S OUT OF MY LEAGUE Jay Baruchel stars in this wish-fulfillment fantasy about a nerdy guy who's so flummoxed when the sexy girl of his dreams (Alice Eve) wants to hook up with him, he's in danger of blowing the relationship out of sheer disbelief. Krysten Ritter, Mike Vogel, Nate Torrence, and T.J. Miller co-star. Jim Field Smith directs. (R) 104 minutes. Starts Friday.
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film_yellow_handkerchief_ver2THE YELLOW HANDKERCHIEF William Hurt broods and mumbles his way through a Southern-fried drawl as an ex-con trying to reconnect to his past on a road trip across Louisiana with a couple of teenagers. But his performance has a wary stillness that gives the story some weight. On the other hand, Kristen Stewart plays a runaway teen in search of a future mostly on a single note of eye-rolling sarcasm. Eddie Redmayne manages some touching moments as the designated goofball whose vintage convertible brings the three traveling strangers together, and Maria Bello shows off her feisty, earthy poise in Hurt's flashbacks. The film is based on a 1977 Japanese drama that was adapted from novel by American journalist Pete Hamill (which also evidently inspired the pop song "Tie A Yellow Ribbon"). Unfortunately, director Udayan Prasad doesn't add much meat to the bare bones of that story here; there's plenty of atmosphere, but not much substance. (PG-13) 102 minutes. (★★1/2) Lisa Jensen. Starts Friday.
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Film Events

SPECIAL EVENT THIS WEEK: ITALIAN FILM SERIES Contemporary and classic Italian films highlight this series (one Sunday a month) organized by the Dante Alighieri Society of Santa Cruz to promote Italian culture and language. This Week:

EL ALAMEIN  Italian soldiers battling against the war machine in Egypt during WWII are the protagonists in this heartfelt 2002 war drama from director Enzo Monteleone. In Italian with English subtitles. 114 min. At Cabrillo College, VAPA Room 1001 (enter through 1002), Sunday only, 7 pm. Free.

CONTINUING SERIES: MIDNIGHTS @ THE DEL MAR Eclectic movies for wild & crazy tastes plus great prizes and buckets of fun for only $6.50. This week: DISTRICT B-13 This 2004 curio from filmmaker Pierre Morel (Taken; From Paris With Love) is a violent action thriller set in a futuristic Paris of 2010, in which a cop and a thug infiltrate a crime gang to try to recover a neutron bomb. (R) 84 minutes. In French with English subtitles. Fri-Sat midnight only. At the Del Mar.

CONTINUING EVENT: LET'S TALK ABOUT THE MOVIES This informal movie discussion group meets at the Del Mar mezzanine in downtown Santa Cruz. Movie junkies are invited to join in on Wednesday nights to discuss current flicks with a rotating series of guest moderators. Discussion begins at 7 pm and admission is free. For more information visit www.ltatm.org.

 


Now Playing

ALICE IN WONDERLAND Reviewed this issue. (PG) 108 minutes. (★★★★) See Review by Lisa Jensen & movie trailer >>>

AVATAR James Cameron nearly grabbed on Oscar trophy for this film—the highest grossing of all time—before The Hurt Locker took home the gold on Oscar night. Sam Worthington offers an impressive turn as a young war vet technologically altered to resemble native people–he’s sent in as a scout. Zoe Saldana is the indigenous tribeswoman. Sigourney Weaver also costars alongside Michelle Rodriguez. A riveting unforgettable ride with a powerful message that doesn’t feel overly preachy. (PG-13) 150 minutes. (★★★1/2) Greg Archer

THE BLIND SIDE  Based on the real-life story of All-American football star Michael Oher is dramatized in this inspirational tale. Sandra Bullock, who nabbed a Best Actress honore here, is the woman who virtually adopts the homeless, neglected teen into her family and changes his life–and theirs. Newcomer Quinton Aaron stars. Surprisingly good, the film offers Bullock a chance to show some range—not much, but it makes for an enjoyable ride. (PG-13) 126 minutes. (★★★) Greg Archer

BROOKLYN'S FINEST Richard Gere, Don Cheadle, and Ethan Hawke star as NYPD cops in Brooklyn's tough 65th Precinct  heading for a showdown with destiny during one tumultuous week in this action drama from director Antoine Fuqua (Training Day). Will Patton, Lili Taylor, and Ellen Barkin co-star. (R) 133 minutes.

CRAZY HEART Jeff Bridges is an actor of such wry, thoughtful subtlety who makes it all look so effortless, some viewers might miss the exquisite craftsmanship of his performance in Scott Cooper's adaptation of the Thoman Cobb novel. Bridges plays broken-down country singer, "Bad," with all the cantankerous brio and slightly shopworn charm of a hard life lived on the road. Plotwise, it's a road we've all been down before, but happy surprises include the grown-up sensuality of Maggie Gyllenhaal, and Colin Farrell as a glitzy, but good-hearted country superstar. Songwriters Stephen Bruton and T Bone Burnett craft a beautiful repertoire of music for Bad, a song cycle essential to the storytelling that furthers plot and enhances character, which Bridges performs with ragged authority. (R) 111 minutes. (★★★1/2) Lisa Jensen

COP OUT Bruce Willis stars in this comedy about an NYPD police detective who recruits his partner (Tracy Morgan) to help him catch the perp when his rare, collectible baseball card is stolen. Adam Brody and Seann William Scott co-stars for cult director Kevin Smith (helming a script he didn't write for the first time). (R) 110 minutes.

THE CRAZIES This latest remake of an old George Romero horror movie is an almost-but-not-quite zombie thriller in which a toxin starts turning the citizens of a sleepy Midwestern town into bloodthirsty homicidal maniacs. Timothy Olyphant and Radha Mitchell star as the untainted sheriff and his wife struggling to survive. Joe Anderson and Danielle Panabaker co-star for director Breck Eisner. (R) 101 minutes.

DEAR JOHN Yet another bestselling Nicholas Sparks romance comes to the big screen. Channing Tatum and Amanda Seyfried play star-crossed young lovers. (PG-13) 105 minutes.

THE GHOST WRITER Roman Polanski returns to the noir suspense format that made his Chinatown such a masterpiece with this political thriller about a ghostwriter (Ewan McGregor) hired to punch up the memoirs of a former British Prime Minister (Pierce Brosnan). His predecessor on the project has met an untimely end, and the deeper the ghostwriter delves into the PM's story, the closer he comes to secrets that could cost him his own life. Kim Cattrall, Olivia Williams, Eli Wallach, and Tom Wilkinson co-star. (R) 109 minutes.

THE HURT LOCKER The year’s biggest surprise. It took home a Best Oscar trophy plus, it made director Kathryn Bigelow the first woman to win honors as Best Director. This spellbinding outing chronicles a gruff Army officer (Jeremy Renner in a standout role) who joins a bomb unit in Iraq. This is a raw portrait of the soldiers’ ordeal if not a haunting look at what those in the service go through. The picture, which stands out  on many levels—tension, suspense and intrigue are up there—but it truly wins points for its documentary feel, and for the fact that it comes without a symphonic soundtrack. You’re left to feel the emotions without the aid of music. Not to be missed. (Rated R) 130 minutes. (★★★★)

Greg Archer

THE LAST STATION Michael Hoffman's lightly fictionalized account of Leo Tolstoy in his twilight years is a smart, gripping portrait of life and love in all their messy contradictions. Christopher Plummer is in fine form as the grandfatherly icon whose allegiance to the ideals of poverty, purity, and communal living put him in conflict with his privileged lifestyle. But the marvelous Helen Mirren as his wife, Sofya, is the spark who makes the story sizzle. Reviled as a greedy termagant by Leo's pious followers (and as the only one who knows—and loves—the man he is inside) she's refreshingly caustic about his premature "sainthood." Paul Giamatti co-stars as her pompous antagonist in Leo's inner circle; their battle for his soul never flags. (R) 112 minutes. (★★★1/2) Lisa Jensen

THE MOST DANGEROUS MAN IN AMERICA: DANIEL ELLSBERG AND THE PENTAGON PAPERS  Most of us who weathered the '60s thought Richard Nixon was the most dangerous man in America. But in the Nixon White House, that nickname was bestowed (by Henry Kissinger) on Daniel Ellsberg, a brainy employee of the military think-tank, the Rand Corp., who smuggled out the Pentagon Papers—detailing covert US skullduggery in Vietnam dating back to the Truman era—to the New York Times. This engrossing tale of the a man who discovers his own principles and risks life in prison to expose the truth is told by filmmakers Judith Ehrlich and Rick Goldsmith in this lively, coherent and informative Oscar-nominated documentary. Not rated. 92 minutes. (★★★)

Lisa Jensen

PRECIOUS Lee Daniels' masterful film, adapted from the 1996 novel, "Push," by poet-turned-author Sapphire, shows how the tiniest flicker of compassion can transform a life of complete degradation into something triumphant. Gabourey Sidibe gives an astounding, adjective-defying performance in the title role, a wary, mountainous, hard-luck Harlem teenager who has learned to hide her spirit beneath protective layers of flesh and silence.  (R) 109 minutes. (★★★★) Lisa Jensen

PERCY JACKSON AND THE OLYMPIANS: THE LIGHTNING THIEF This series of YA novels by Rick Riordan delivers  Logan Lerman as a troubled high schooler (a bit older than he was in the book) who discovers he's related to the Greek gods of Mt. Olympus. (PG) 119 minutes.

SHUTTER ISLAND Leonardo DiCaprio and Mark Ruffalo star in this thriller as a pair of U. S. Marshals in 1954 Boston investigating the escape of a murderess from a hospital for the criminally insane located on a remote island off the New England coast. Skullduggery ensues. Martin Scorsese directs from the novel by Dennis Lehane. Ben Kingsley, Max von Sydow, Michelle Williams, Emily Mortimer, and Jackie Earle Haley co-star. (R) 138 minutes.

A SINGLE MAN Colin Firth gives a marvelously controlled, yet yearning performance as a quietly closeted gay expatriate British college professor in sunny L. A., grieving over the loss of his longtime patner, who no longer fits into his well-tailored life. Adapted from the Christopher Isherwood novel by rookie director Tom Ford, this spare, elegant study on the naturte of grief charts the disruptive course of renegade feelings in a life constructed around keeping feelings in check. The early '60s era is cannily evoked, while Julianne Moore (in full diva mode) and the always excellent Matthew Goode are terrific in support. (R) 99 minutes. (★★★) Lisa Jensen

THE WHITE RIBBON Filmmaker Michael Haneke’s disturbingly beautiful drama imagines life in a remote German village in the generation before Hitler's rise to power. More complex than a simple parable, it's a stately piece of dramatic fiction with the dread-generating intensity of a horror movie. (R) 140 minutes. In German with English subtitles. (★★★) Lisa Jensen

THE WOLFMAN  As a Victorian-era Shakespearean actor caught up in sinister doings at his ancestral estate, the ever-persuasive Benicio Del Toro doesn't have a character to grow; he's just woebegone, as director  Joe Johnston (onetime ILM fx wizard) ladles on the blood, gore, entrails, and dismembered body parts. In 1941, when a were-bitten Lon Chaney Jr. wolfed out and killed one innocent bystander in a bestial frenzy, that was tragedy. When Del Toro rampages through London, slaughtering dozens upon dozens of victims, we don't feel his pain in quite the same way. Finally, this version gives us two werewolves who, of course, have to face off against each other in a hysterically funny finale of macho posturing. (R) 125 minutes. (★★) Lisa Jensen

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March 25th film screening
written by Rebecca T., March 12, 2010
A film event coming up on Thursday, March 25th at the Rio Theatre featuring the award-winning documentary "The Garden" followed by an invigorating panel discussion featuring one of the film's protagonists- Rufina Juarez. More details available here- Proceeds will benefit the food justice work of the California Food & Justice Coalition

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Heart Surgery For UC

Regents spare classes—for now—and drain staff healthcare surpluses instead Gov. Jerry Brown announced a $100 million mid-year cut to the 10-campus University of California system in December, just as UC Santa Cruz staff and students left for winter break. UCSC's share of the cut is $6.5 million, but no classes will be affected through the end of the current school year.

 

Hometown Glory

Chris Rene welcomed back to Santa Cruz with open arms at ‘Love Life’ event On Sunday, Jan. 29, 2012—a day that Mayor Don Lane announced would officially be referred to as Chris Rene Day in Santa Cruz—the local hero took the stage of the sold-out Civic Auditorium to celebrate his homecoming and give something back to the drug and alcohol rehabilitation center that made his recent success possible. The rapper/songwriter and Santa Cruz native is coming off a year that saw him finish in the top three on the first season of FOX’s The X Factor, and enthusiasm for his return was evident in the line of fans that stretched around the block of the auditorium, hours before its doors opened. Many fans carried signs and wore homemade T-shirts featuring words of solidarity for the artist, including his catch phrase, “Love Life.”

 

Meter Moratorium Continues

Board of Supervisors votes to continue opposition of SmartMeter installations Late last year, the already loud local outcry over SmartMeters rang out even louder, as some residents took matters into their own hands and removed meters from their homes. The action led to Pacific Gas & Electric (PG&E) shutting off several of these residents’ power. Following a flood of public concern at its Dec. 13 meeting, the County Board of Supervisors directed the county’s public health officer, Poki Stewart Namkung, to return on Jan. 24 with an analysis of one month’s research on the health effects of the wireless meters.

 

Pushing the Envelope

‘What Is Erotic?’ makes its seventh run at The 418 ll through history, artists have been pushing us to examine our views of what is and isn’t erotic, with subjects ranging from the relatively tame (Francisco Goya’s “La Maja Desnuda”) to the extremely challenging (Mapplethorpe’s photography, Rod Stewart’s “Da Ya Think I’m Sexy?”). Santa Cruz keeps this tradition alive via “What Is Erotic?”a festive and daring fundraiser for The 418 Project. Themed “In the Boudoir,” this year’s event—the seventh overall—hits The 418 on the weekends before and after Valentine’s Day. The fun, bawdy character of “What Is Erotic?” will be evident right from the Pre-Show Erotic Salon: Staying in character, the actors will playfully interact with audience members. Moondance O’Brien, one of this year’s performers, reveals that the show’s cast and crew refers to the members of this “welcoming committee” as “fluffers.” “Some people might be feather ticklers; some people might be reciting poetry; some people might be offering spankings,” she explains. Other performers will hand-feed chocolate-dipped strawberries to audience members. All such interaction is consent-oriented, but O’Brien ventures that “the majority of people who come to this show have a sense of what they’re going to experience. They’re pretty eager.”

 

Katie Ekin

It’s hard to believe that 20-year-old folk pop singer-songwriter Katie Ekin’s years in the music industry can be counted on a single hand. She picked up acoustic guitar five years ago, played her first show three years ago, and debuted her seven-track, self-titled EP in December 2010. Inspired by music of the ’50s and ’60s, Ekin—whose vocal range is naturally as melodious as a songbird (see track three, “Cuckoo”)—has a keen understanding of love, astutely arranged in the lyrics of her songs. “I love oldies … the fun, pop-feeling, sock hop,” confesses Ekin. Aside from Carole King and Lesley Gore, singer of “It’s My Party,” her influences include Elvis Presley, Ricky Nelson, The Beatles and The Beach Boys, whose music was regularly played by her father throughout her childhood. “My dad is just such a fun person, and every time I’d see him perform when I was little, he had the best stage presence,” remembers Ekin. “I gain confidence from being on stage and I relate that back to my dad.” It is onstage that Ekin feels most comfortable expressing herself. “My main thing has always been love,” she says. “In high school, I wouldn’t really tell people how I felt—I put it in a song.” Her vulnerability is especially evident in “Underneath the Christmas Tree,” a song in which she asks her crush, “Won’t you be my present, baby?” The feel-good track is so irresistible, with Ekin’s sweet and sultry voice, that Zooey Deschanel herself would be proud to own the copyrights. Head to The Abbey two days before Valentine’s Day to hear Ekin belt out several original love songs, while accompanying herself on ukulele and guitar. Given the holiday, Ekin is planning an upbeat set that is, in her own words, “not so heartbreaking—I’ll try to keep it on a happy theme.”  INFO: 8:30 p.m. Sunday, Feb. 12. The Abbey, 350 Mission St., Santa Cruz. No cover. 429-1058.

 

Metamorphosis

Bill Veltrop—social visionary, leading architect of organizational design and the revered local who believes the next big thing isn’t a ‘thing’ Every morning Bill Veltrop rises at 4 a.m. and enters into a meditation and conversation with the Universe. By mid-morning, he’s either working on a project or holding a workshop. It’s 10 a.m. now, but before Veltrop proceeds with our interview he clangs together two golden meditation chimes and the three people in the room with him breathe in unison. Slowly the resonance fades to silence. The group is invited to recap their thoughts, hopes and stresses in a ritual Veltrop calls “stringing the beads.”

 

Inside Occupy Santa Cruz

Public nuisance or radical experiment in direct democracy? The mood at Occupy Santa Cruz (OSC) General Assembly meetings was angry and defiant early last month, especially after protesters heard eyewitness accounts of the violence in Oakland and Berkeley. But the atmosphere became noticeably calmer and less defensive after the City of Santa Cruz’s injunction to shut down OSC was appealed to federal court on Nov. 15. The decision by U.S. District Judge Howard R. Lloyd whether or not to hear the case, and the arguments relating to federal jurisdiction, principally the First Amendment, is scheduled for Jan. 3, 2012 in San Jose. The appeal delayed a State Superior Court hearing scheduled for Nov. 16 in the Santa Cruz County Court House, which seem to cool down the militant rhetoric of preparing for an eminent, forcible eviction of the Occupiers of San Lorenzo Park. The appeal to federal court of what Santa Cruz City Attorney John Barisone described as a “routine public nuisance suit” has also gained the web-based attention of Occupy movements across the country. It is a big question, after all: Does the First Amendment’s protection of freedom of speech and freedom of assembly include OSC?   

 

Our World, Under Water?

New and improved Climate Action Plan gets community and city support, but still has some critics A bicycle-drawn rowboat glided down Pacific Avenue on Tuesday, Jan. 24, with a school of human jellyfish, anemones and a sea turtle dancing along behind. The aquatic parade, which snaked along the canals of Downtown Santa Cruz, was an “Underwater Tour” that depicted what the city may look like someday if the city does not take all possible actions to mitigate climate change and its impacts.  

 

There’s a Path From Me to You…

We begin the week on Thursday, with Venus joining Uranus in Aries. Venus represents money, resources and values. Uranus “creates the revolution” and needed new archetypes. And Aries initiates “all things new.” The energies are building for a showdown (breakdown) in March. The keynote at this time is preparation.

 

Miss Lonely Hearts

“I feel like modern country—it’s just a f*cking mess. No doubt,” says Wyatt Hesemeyer, lead vocalist and rhythm guitarist for Miss Lonely Hearts. “A lot of people that are trying to play ... ’50s country do it by making it as over the top as they can,” he adds, “they’re yodeling and wearing oversized cowboy hats, they try to make it cute, but it wasn’t supposed to be cute. It was supposed to heartfelt or interesting or funny.” Hesemeyer, whose warm, raw vocals intoxicate the listener like a glass of Bulleit Rye Whiskey—his favorite brand—has a characteristic bluntness that imbues his music with honesty instead of camp. Backed by a full band—Patrick O’Connor (drums), Keith Cary (lap steel), Mischa Gasch (upright bass), and Parker McDonald (lead guitar)—Miss Lonely Hearts cranks out pure country with a splash of  shufflin’ 1950s rock and roll. And according to Hesemeyer, their unadulterated sound has a big draw.
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    Lighted Boat Parade 2011

    Photo slideshow.  Judging cetegories: Sailing, Power, People Powered, Commercial/Sponsored Vessels, Best of Theme and Best Music. Enchanted Harbor at Santa Cruz Dec. 3, 2011 Sponsored by the Santa Cruz Harbor Yacht Club. . . . . . . ..

     

    Losing Baggage

    Pam Houston’s genre-breaking book takes readers on adventures far and deep within You could say it was prescient that Pam Houston began writing her latest book on an airplane. But then, the award-winning short-story writer and novelist often writes on airplanes—and when she started writing these vignettes she had no idea they’d morph into a novel. “I was invited to an evening called ‘Unveiled’ at the Wisconsin Book Festival in Madison, where a group of us was going to read new, untested work,” said Houston. “I took the assignment so literally that I wrote the first 12 chapters on the plane and in the hotel the night before. After I read, Richard Bausch said, ‘Write 100 of them, and that’s your next book.’”

     

    Hamadi Organics

    Hamadi Organic’s tagline, “Tested on Actresses, Never on Animals,” says two important things about the hair care line off the bat: one, it’s ethical and, two, it’s good enough for the stars. Indeed, the likes of Scarlett Johansson, James Franco and Eva Mendes rely on Hamadi creator Jamal Hammadi to tame and style their tresses with his eco-friendly concoctions. (And, yes, the creator's name has two m's and the company's name only has one.)

     

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    Burgers Your Way

     

    Loma Prieta Winery

    Last week I wrote about a red blend for Valentine’s Day, but as the year’s most romantic day approaches and you’re still looking for something downright voluptuous, then Loma Prieta’s Petit Sirah fits the bill.

     

    Our Beloved Revolutionary Sweethearts

    Camper Van Beethoven returns to Santa Cruz for two intimate Crepe Place shows Long before the Simon Cowell era, the members of the alternative rock band Camper Van Beethoven were the Santa Cruz musicians who had “made it.” Adorning their lively, all-over-the-map sound with an endearing sense of wit, they wooed the populace with a charmingly nonsensical ditty called “Take the Skinheads Bowling” (after all, isn’t it the angriest people who need a little constructive fun?) and a cover of Status Quo’s “Pictures of Matchstick Men,” from their most commercially successful album, 1989’s Key Lime Pie. With CVB’s 30th anniversary coming up next year, the band is playing a short run of smaller gigs—including two shows at The Crepe Place on Saturday, Feb. 11—to get warmed up for the release of its forthcoming record. The group recently began mixing down this as-yet-untitled album, the first we’ve heard from CVB since 2004’s New Roman Times. According to guitarist Greg Lisher, the band tried out a new approach to writing this time: “Back in the day, [vocalist/guitarist] David [Lowery] would bring his songs to us at rehearsal, and we would write our respective parts. So it was always pretty democratic in that sense, but it was all based on what David was bringing to the table.” For the new album, the band simply got together and came up with ideas on the fly: “Someone would throw something out, someone else would respond and someone else would play off of that.”

     

    Karaoke in Santa Cruz

    Let your star shine with karaoke in Santa Cruz Boardwalk BowlBocci’s CellarBritannia ArmsFog BankHenfling’s Tavern & GrillHindquarter Bar and GrillI Love SushiMalone’s GrilleMichael’s on MainSir Froggy’s PubTrout Farm Inn

     

    Behind the Break-up

    Authors Maira Kalman and Daniel Handler open up On a Bookshop Santa Cruz wall, notes are taped above a pile of books whose covers depict a luminous white coffee mug suspended against a red backdrop. “We broke up because I’m not a gorgeous Australian who lives in China. Accents, right?” reads one note. The words, “We broke up because...” are printed on pages of a notepad near the shop’s display, prompting book shop visitors to share their break up stories. The notes correspond directly with the title of the books piled below: “Why We Broke Up,” by Daniel Handler (a.k.a. popular children’s author Lemony Snicket).

     

    Soquel Vineyards

    Looking for a smooth and sexy number for Valentine’s Day? A hot little item that’s not going to empty your wallet? And I’m talking about wine here! We all need something sensuous for Valentine’s—and if you’re planning a home-cooked meal by candlelight, then you’re going to need an interesting wine to go with it. And here’s where Soquel Vineyards’ Trinity comes in.

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