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Good Times Home A&E Film WHEN IN ROME

WHEN IN ROME

film_romeOnce upon a time, Josh Duhamel had a featured role in a popular soap opera which earned him a legion of female fans. Kristen Bell also has her share of devotees after recurring roles in three cult TV series. These combined crossover viewers will be the principal audience for When In Rome, the silly, but harmless romantic comedy in which Bell and Duhamel co-star. Written by David Diamond and David Weissman for director Mark Steven Johnson, it's a typical story of impossibly beautiful people destined to be together who nevertheless keep throwing roadblocks in the path of love. Bell stars as Beth, a junior art curator in New York City (at the Guggenheim, no less), who's given up on love. At her kid sister's wedding in Rome to a man she's only known for two weeks ("That's not even enough time for a credit check!"), Beth seems to hit it off with best man and fellow New Yorker, Nick (Duhamel), until she (mistakenly) thinks she's been played. At a so-called "Fountain of Love," into which tourists pitch coins in hopes of finding amore, Beth, Grinch-like, purloins some coins.

Back in New York, she's suddenly pursued by the lovelorn folks (all male, as it turns out) whose coins she stole: an ebullient Italian artist (Will Arnett), a goofy street magician with delusions of awesomeness (Jon Heder), a narcissistic male model (Dax Shepard), a gnomish sausage manufacturer who calls himself a "curator … of encased meat" (Danny DeVito)—and Nick. Sorting out true love from the spellbound kind film_when_in_rometakes awhile, but along the way there's some cute dialogue ("I don't know whether to look at you or my own reflection, that's how beautiful you are," the model tells Beth), sight-gags (including a midget Italian "clown car"), and references to other movies, especially the goodbye scene in The Wizard of Oz. (Although a Napoleon Dynamite gag featuring Heder and former co-star Efren Ramirez, and the Slumdog Millionaire dance finale feel completely gratuitous.) Other comedy bits are beyond stupid (a dinner date in a pitch-black restaurant is crashed by all four of Beth's suitors in night goggles), while director Johnson, best known for comic-book action movies, depends too much on tedious slapstick. Still, powered by Bell's perkiness and Duhamel's likeable ease, this movie is like a fizzy Asti Spumante: sweet and insubstantial. (PG-13) 91 minutes. (★★1/2)—LJ
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Movie Times

Movies  Fri.   3/5–3/11

DEL MAR THEATRE     469–3220
The Ghost Writer 1:40, 3:20, 4:20,  6, 7, 8:40, 9:40 + Sat-Sun 11am
Precious1:00pm
The Last Station 2:10, 4:40, 7:10, 9:30 +Sat-Sun 11:50am
The Matrix *Midnight Movie* Fri-Sat 12 midnight

NICKELODEON     426–7500
Crazy Heart 2:20, 4:50, 7:15, 9:30 +Sat-Sun 12:10pm
Oscar Nominated Short Films-Animated 2:20, 6:50 + Sat-Sun 12:20pm
Oscar Nominated Short Films-Live Action 4:20, 8:50
The Most Dangerous Man In America: Daniel Ellsberg and the Pentagon Papers 4:40, 7, 9, +Sat-Sun 11:40am
The White Ribbon 1:50
An Education 4:30, 6:40 +Sat-Sun 11:50am
The Hurt Locker 2, 8:45


APTOS CINEMA    426–7500
Crazy Heart 1:50, 4:10, 6:30, 8:50 +Sat-Sun 11:30am
The Blind Side 3:40, 6:10
A Single Man 1:40, 8:40 +Sat-Sun 11:40am

GREEN VALLEY CINEMA 8    761–8200
Alice In Wonderland 3D 1:30, 4:30, 7, 9:20, +Sat-Sun 11am
Alice in Wonderland 1:45, 4:45, 7:15, 9:40, +Sat-Sun 11:15am
Brooklyn’s Finest 1, 4, 7, 9:40
Hurt Locker 7, 9:40
Avatar 1, 4:15, 7:30
The Crazies 1:30, 4:30, 7:10, 9:25 +Sat-Sun 11am
Cop Out 1:30, 4:30, 7, 9:25 +Sat-Sun 11:05am
Avatar 3D 1, 4:15, 7:30
Shutter Island 1, 4, 6:45, 9:30
Percy Jackson: Lightning Thief 1:30, 4:30, 7, 9:30 +Sat-Sun 11am
Valentines Day 1:35, 4:20 +Sat-Sun 11am

CINELUX SCOTTS VALLEY #6    438–3260
Crazy Heart 2:10, 4:40, 7:10 +Fri-Sun 11:40am
Alice in Wonderland  2, 2:45, 4:30, 5:15, 7, 7:45, 9:30, 10:15
+Fri-Sun 11:30am, 12:15pm
Percy Jackson & the Olympians: The Lightning Thief
1:30, 4:10, 6:45 +Fri-Sun 11am
Cop Out 2:20, 5, 7:30 +Fri-Sun11:45am
Shutter Island 3:30, 6:45, 9:45 +Fri-Sun 12:30
The Hurt Locker 9:15pm

CINELUX 41ST AVE CINEMA    479–3504
Cop Out 11:55, 2:30, 5, 7:30
Shutter Island 12:30, 3:45, 7
Valentine’s Day 11:30, 2:10, 4:45, 7:20


SC CINEMA 9    1–800–326–3264 #1700

Alice In Wonderland 1:40, 2:05, 4:20, 4:45, 7, ,:25, 9:40, 10:05 +Fri-Sun 11am
Brooklyn’s Finest 1:30, 4:35, 7:35, 10:25
Shutter Island 1, 3:20, 4, 6:30, 7:10, 9:30, 10:15 +Fri-Sun 12:15pm
The Wolfman 2:30, 5:00, 7:40, 10 +Fri-Sun 2:30pm
Valentine’s Day 1:05, 3:45, 6:45, 9:25
Percy Jackson & the Olympians: The Lightning Thief 1:15, 3:55, 6:40, 9:20
Avatar 12:50, 4:10, 7:50
Dear John  1:15, 4, 6:45, 9:15
Rosemary’s Baby *Flashback Feature* Thur 3/11 8pm

RIVERFRONT     1–800–326–3264 #1701
Cop Out 4, 7, 9:40 +Fri-Sun 1pm
The Crazies 4:15, 7:15, 9:50 + Fri-Sun 1:15

> Movie Theatres in Santa Cruz area >

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Twenty years after the fact, a geologist and a historian say we must not forget “Loma Prieta was a humbling experience for most of us. a reminder of our diminutive stature in the grand scheme of things. I think that remembering events like that is a perfect antidote for our collective hubris; it keeps us honest.” —Sandy Lydon, ‘History Dude’  

 

Music Calendar

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Cool Band Now

Ingredients: Nick Green’s guitar, Chris Hopkins’ bass, Logan Bean’s drums, ample 4-track tape recorders, a hell of a lot of irreverence, and a pinch of freak pop with the rock. Stir ingredients together in a mixer with a lot of attitude and humor on tape, then set out on a stage to cool. The result? Cool Band Now. Friends who grew up in Livermore going to punk shows and pizza parlors together, the trio formed in Santa Cruz as a reaction against the sometimes stifling nature of taking music too seriously. With each member having spent plenty of time and energy on previous projects and recordings, Cool Band Now began over a year ago as a spontaneous endeavor to just have fun. “It’s a trapping feeling sometimes when you spend so much time on a recording to make it sound perfect,” Bean says, “so this was a lo-fi escape from all that.” When Green and Hopkins (whose words sometimes grace GT pages) first haphazardly started recording sound collages that flexed their multi-instrumental talents (there’s a bit of synth, a bit of punk distortion, a bit of indie acoustic guitar) the tracks were made with the idea of television commercial breaks in mind: whacky, experimental and short—very short; some “songs” run 15 seconds long.

 

Bull’s-Eye

Zimmerman honed his chops at the San Jose Repertory Theatre writing  musical reviews in the 1980s skewering the yuppies that peppered the Silicon Valley (“YUP!”, “Up the YUP!” and “YUP it UP!”). The punning pundit-with-guitar blossomed during the comedy boom of that time. “I had a duo during that time with [Santa Cruz virtuoso] Stevie Coyle and we were called the Reagan Brothers,” the witty comic remembers. “We played the Comedy Store and all the clubs and learned a lot about standing and delivering.”

 

Hello, Spring!

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Rose is fast becoming one of my new favorite wines. And when you find a good one such as Muns Vineyard’s Rosé of Pinot Noir, 2008 Central Coast ($18), then one’s wine-drinking life is most certainly elevated. I first tasted the Muns Rosé at a food and wine event at Café Cruz in Soquel.  Mary Lindsay, who, along with winemaker Ed Muns, plays a major role in production, public relations, tasting events, and everything else that’s involved with running a successful winery, was pouring that day. She invited me to try the Rosé and I immediately bought a bottle to take home. I often have friends over for wine and cheese get-togethers, and it makes a change to offer Rosé—along with the Merlots and Chardonnays of this world.

 

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GT Dining Giveaway

dine-outS2Eat out on us! Every week we pull a new registered website user name for a free dining gift certificate.  All existing and new users are eligible.  Register and you can post Community Calendar events, add comments to articles, get access to registered-only content and new features coming.  Sign-in today—it’s free, helps build a stronger community and may even earn you a free meal.
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