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SC History

All About Santa Cruz - SC History

Memory Matters

Memory Matters

Twenty years after the fact, a geologist and a historian say we must not forget

Loma Prieta was a humbling experience for most of us. a reminder of our diminutive stature in the grand scheme of things. I think that remembering events like that is a perfect antidote for our collective hubris; it keeps us honest.—Sandy Lydon, ‘History Dude’

 

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All About Santa Cruz - SC History

Loma Prieta Earthquake video

Exclusive '89 earthquake footage shot by filmmaker Peter McGettigan.


See all Loma Prieta earthquake articles in the Santa Cruz History section >
All About Santa Cruz - SC History

Reflections Behind the Lens

Reflections Behind the Lens

Twenty years ago, Chip Scheuer was a photographer for the Pajaronian. He happened to be on the scene after the quake pummeled downtown Santa Cruz. The following is his story—in words and pictures.

THE GROUND WAS STILL SHAKING AS I ran toward a mushroom cloud of black smoke billowing from a home engulfed in flames on Myrtle Street across from the Santa Cruz High School pool. One of the residents was fleeing the inferno and I photographed him as firefighters battled the intense flames.  Approaching Pacific Avenue, I couldn’t believe the devastation. Santa Cruz looked like a bad Japanese science fiction movie—as if a drunken Godzilla had stumbled through the center of town.

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All About Santa Cruz - SC History

Looking Back Looking Ahead-Remembering Loma

Looking Back Looking Ahead-Remembering Loma

The 1989 Loma Prieta Earthquake may have shaken Santa Cruz to the core, but it did one thing and one thing very well—it brought the community together. Here, GT probes the minds of several well-known Cruzans to get a better perspective of how things unravelled back then and … what may lie ahead. (Pictured: Mark Primack on a piece of the old Cooper House.)

What do you remember most? With my family safe and our home secure, I walked the length of Pacific Avenue a half hour after the earthquake. As an architect and Zoning Board Chair, I felt compelled to attempt my own assessment of damages. I didn’t have a camera, so I tried hard to take indelible mental notes on the apparent condition of each building I passed. Those first impressions informed later efforts at housing displaced businesses and saving older buildings. It is those white-knuckled images of cracked and battered buildings that come most clearly to mind when I remember the ’89 quake.

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All About Santa Cruz - SC History

On That Day

On That Day

We were inundated with essays for The Loma Prieta Earthquake writing contest. This one stood out.

It was 5 p.m. on Tuesday, Oct. 17, 1989.   I had one hour left before 30 people would show up at my front door for a meeting on Child Abuse Prevention. Our guest speaker was Diane Siri, the new Superintendent of Schools for the Santa Cruz County Office of Education.  As Board President of the Santa Cruz County Child Abuse Prevention Council, it had taken me months to pull together this gathering of department directors and social service providers. But it was worth it. This was going to be a golden opportunity to integrate the sometimes contentious elements that impacted the life of every foster child in Santa Cruz County.  Ms. Siri would be the spark that ignited this important effort. I could sense the possibility of change. I wanted everything to be perfect.

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All About Santa Cruz - SC History

Rumblings from the Past

Rumblings from the Past

UCSC class captures earthquake survivors’ recollections in new audio archive

“Twenty minutes before the earthquake, the dog suddenly stopped and just went down, spread-eagle, on the ground, and would not budge … like, holding the earth.”
So spoke one longtime local to the students of “20 Years after Loma Prieta,” a five-week UCSC class that examined the infamous 1989 earthquake’s repercussions on the City of Santa Cruz. Sarah Yahm, a graduate student in the university’s social documentation program, created this class with the goal of creating an audio walking tour of downtown Santa Cruz that would reflect the experiences of locals during and after the quake. The results can be heard at santacruzafterthequake.wordpress.com.

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All About Santa Cruz - SC History

The Cooperhouse

The Cooperhouse

It was a true crosswalk of Santa Cruz. The location was absolutely perfect, right at the corner of Pacific Avenue and Cooper Street. Notice how even the space in front of O’Neill’s where the Cooperhouse stood, attracts people. If you came here after 1990 or you are under 20 “The Cooperhouse” is only a bunch of old photos and wild stories. Now it’s just a part of Santa Cruz history. It was once our County Courthouse and from June 1972 to 1990 it was the happiest, busiest, gathering, shopping-drinking place (or as we now say, “small locally owned business incubator”) in all of Santa Cruz. For a little while longer, while we older long time residents last, the Cooperhouse will be a bit more important than the Santa Cruz Mission or the vanished bridge at Natural Bridges because it was a real part of our lives.

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More Good Times

 

New Lagoon

UCSC’s Natural Reserve System works to restore Younger Lagoon It’s a beautiful, mild mid-December day and Gage Dayton is standing on a gently sloping hill overlooking Younger Lagoon, a natural reserve site, as he looks politely, if a bit sternly, at a surfer. The surfer, a man in his early twenties clad in a black hooded wetsuit, is, for his part, looking both embarrassed and uncomfortable; he’s in a distinctly awkward spot, positioned several feet off the ground, halfway over a fence. His two friends, also clad in wetsuits and clutching their surfboards, are standing behind him, looking similarly abashed. “No hopping here, guys,” Dayton says mildly. “Sorry. This is a reserve.” The surfers haven’t moved; they look at him a bit skeptically. “The UC Santa Cruz police have actually been starting to patrol down here, unfortunately,” he adds.

 

In Defense of Education

“I am a language teacher!” UC Santa Cruz Italian lecturer Giulia Centineo screamed into the loudspeaker during a March 4 protest at UC Santa Cruz. Centineo held the microphone up to her lips and addressed the crowd, her hand trembling, perhaps out of nervousness or simply passion. “For years the administration has been shoving down our throats the idea that students are clients. No, students are students! I don't sell Italian! I teach Italian!”

 

What does your future hold?

Scotts Valley | Self Employed  

 

From the Editor

Some foods are too tempting to pass up. That seems to be the case this week with GT’s dining scribes. In our biggest Food & Wine issue to date, our resident foodies experimented with some old favorites and also embarked on new culinary adventures. Delicious. Plus: “11 Sexy Foods.” (Spring is coming, after all.) Send us a list of your favorite local hotspots at letters@gtweekly.com. Tell us what local foods you can’t live without. (That might be a long list.)

 

Memory Matters

Twenty years after the fact, a geologist and a historian say we must not forget “Loma Prieta was a humbling experience for most of us. a reminder of our diminutive stature in the grand scheme of things. I think that remembering events like that is a perfect antidote for our collective hubris; it keeps us honest.” —Sandy Lydon, ‘History Dude’  

 

Music Calendar

Live Music This Week Check out the latest hot concert picks happening around town. See more area activities on our events page >  

 

Cool Band Now

Ingredients: Nick Green’s guitar, Chris Hopkins’ bass, Logan Bean’s drums, ample 4-track tape recorders, a hell of a lot of irreverence, and a pinch of freak pop with the rock. Stir ingredients together in a mixer with a lot of attitude and humor on tape, then set out on a stage to cool. The result? Cool Band Now. Friends who grew up in Livermore going to punk shows and pizza parlors together, the trio formed in Santa Cruz as a reaction against the sometimes stifling nature of taking music too seriously. With each member having spent plenty of time and energy on previous projects and recordings, Cool Band Now began over a year ago as a spontaneous endeavor to just have fun. “It’s a trapping feeling sometimes when you spend so much time on a recording to make it sound perfect,” Bean says, “so this was a lo-fi escape from all that.” When Green and Hopkins (whose words sometimes grace GT pages) first haphazardly started recording sound collages that flexed their multi-instrumental talents (there’s a bit of synth, a bit of punk distortion, a bit of indie acoustic guitar) the tracks were made with the idea of television commercial breaks in mind: whacky, experimental and short—very short; some “songs” run 15 seconds long.

 

Bull’s-Eye

Zimmerman honed his chops at the San Jose Repertory Theatre writing  musical reviews in the 1980s skewering the yuppies that peppered the Silicon Valley (“YUP!”, “Up the YUP!” and “YUP it UP!”). The punning pundit-with-guitar blossomed during the comedy boom of that time. “I had a duo during that time with [Santa Cruz virtuoso] Stevie Coyle and we were called the Reagan Brothers,” the witty comic remembers. “We played the Comedy Store and all the clubs and learned a lot about standing and delivering.”

 

Hello, Spring!

Huichol Indian Shaman Brant Secunda welcomes the new season with a powerful seaside workshop and retreat For centuries, ancient peoples such as the American Indians, Mayans and Druids have welcomed the vernal equinox with lavish ceremonies meant to thank their deities for allowing them to survive yet another winter. Nowadays with modern conveniences like indoor heating and grocery stores, winters aren’t quite as troublesome as they once were in the past, but there is something in the human spirit that still relishes the first verdant signs of spring. A flower blooming here, a warm breeze there—springtime is a time of rebirth and renewal. Brant Secunda takes this time of year seriously. A shaman and healer of the Huichol Indian tradition of Mexico, this renowned teacher will be leading a spring equinox retreat that will show participants how to harness the power of nature within themselves.

 

Muns Vineyard Rosé of Pinot Noir

Rose is fast becoming one of my new favorite wines. And when you find a good one such as Muns Vineyard’s Rosé of Pinot Noir, 2008 Central Coast ($18), then one’s wine-drinking life is most certainly elevated. I first tasted the Muns Rosé at a food and wine event at Café Cruz in Soquel.  Mary Lindsay, who, along with winemaker Ed Muns, plays a major role in production, public relations, tasting events, and everything else that’s involved with running a successful winery, was pouring that day. She invited me to try the Rosé and I immediately bought a bottle to take home. I often have friends over for wine and cheese get-togethers, and it makes a change to offer Rosé—along with the Merlots and Chardonnays of this world.

 

11 Sexy Foods

Fresh strawberries 1 Raw oysters (from booth at Saturday morning Cabrillo Farmers Market) An oyster’s texture, unmistakably sensual, can make your tongue dance—and who knows what will follow. Treat yourself to some oysters with lemon and Tabasco after shopping for fresh, organic produce on a sun-filled day at the Farmers Market with your sweetheart.Cabrillo Farmers Market, Cabrillo College, 6500 Soquel Drive, Aptos, montereybayfarmers.org/aptos.html.

 

Wild at Art

More than 400 artists unite in a stunning county-wide exhibit where assemblage meets collage To call it an undertaking would be an understatement. Susan Hillhouse, Theresa Myers and the team at the Museum of Art & History in downtown Santa Cruz have pulled off an undeniably impressive artistic feat. They have launched an inventive, county-wide art show,  “Assemblage + Collage + Construction,” which runs through April. The show features a cornucopia of talented artists from Santa Cruz County and beyond. Fourteen art galleries will showcase the work of about 400 artists, which includes Angelo Grova, Jack Howe, Michael Leeds, Robbie Schoen, Shelby Graham and many others.

 

After The Fall

The better you know the Alice books of Lewis Carroll, the more you'll appreciate Tim Burton's winsome and nutty remix, Alice In Wonderland. Instead of rehashing of the familiar children's story, Burton and scriptwriter Linda Woolverton borrow elements from both classic Carroll books, "Alice In Wonderland," and "Through The Looking Glass," then dare to imagine an entirely new story populated by Carroll's enduring fantasy characters. Burton and collaborator Woolverton (she wrote the marvelous script for Disney's Beauty And the Beast) understand what makes the books so much fun—deadpan, Seinfeld-like conversations about the minutiae of life, the usefulness (or not) of language, silly plays on words, and the stubborn pragmatism of resourceful little Alice in a world gone cheerfully mad. Staying true to this antic, anarchic spirit, they fashion a funny, girl-empowering saga that is often Carroll's equal in drollery.